Thanks to the efficient nature of their society and culture, the Eipiânari lack the common occurences of accidental development other cultures have. This includes things like junk food, safety glass, fireworks or microwaves. Everything they use is used to its fullest extent, leaving no waste behind.

Eipiânari may not have most snack foods (potato chips, chocolate chip cookies, popsicles, nachoes) but they do love what they have and even eat their zignebaah before meals, while saving tahalander for after meals, traditionally. They enjoy sweets tremendously.

Though the Eipiânari are well versed in an incredible variety of magic and magical rituals, they refer to their capacity for magic and their lifesource (or souls) with the same term: Zarâre. To them, magic is science, a physical property and law. Some are just more talented with it.

Every natural born Eipiânari (not members of Eipiâ belief who have been transitioned into the species) is ambidextrous by virtue of life, they all grow a preference to a hand when doing menial tasks much the same way bipedal species do.

When an Eipiânari falls for another sentient outside of the species and culture, they are often given permission to arrange for the mating ritual. This ritual, otherwise, is held back only in times of need among the Eipiânari as it is the only means with which to activate their viability for children.

Eipiânari not only value taste and substance but have rather exceptional senses for ineffable qualities of life. Even the most candid of the Eipiânari knows better than to outright dismiss an emotional response to a stimuli.

The Eipiânari bleed (they can cut themselves rather easily, with their weapons) orange rather than red, an indication of their cellular structure nearly matching human levels of hemoglobin. Severe wounds (attacks to their direct fleshier biomass) bleed violet, however, as it requires direct drain of their true parts. Their tears and sexual releases are typically flourescent, though they cry shades of blue and black while the climax shades of white and blue.

Dragons, chimera, and elephant-like creatures are the great beasts that the Rivzarâre worshipped before coming to embrace all forms of Gods, Divine Entities and Beasts of Old. Still, there is a kind of reverence for them, as it is for most avian creatures — it took the Eipiânari millions of years to learn to fly.

The S⋖ndr⋔ are, as of yet, still rather distant and mythological even to the Eipiânari. They are only known of through and because of the Eipiâ, which is, itself, a physical manifestation of the Pain of Spark Scratchers.

The body of Matthieu Calixte, as part of control, exists as a kind of exoskeleton. Because of this, he has manifested mostly human details: body hair, human tears, blood, semen, and physical scales of power. For four years he has pretty much been of the persistent belief he is an absolute normal human boy.

Matthieu Calixte had a few favorites he developed over his time on Earth: the number 11, the color green, basketball, lyrical dance, cooking, and art.

Some of the fictional accomplishments installed in his history include: mention très bien, student body president, a National Assemblyman's Commendation, an Gyeonggi Youth Basketball Tournament, 2 European UEFA Under-Championships and one FIFA U-17 championship. He was always athletic, and a lover of nature, often getting lost on hikes and mountain climbing.

Very large hands for his body size thanks to trying to subdue four limbs into two functioning with normalcy. He doesn't mind this, but it has made for trying delicate things more difficult, which has been a bother sometimes.

Shared dreams of acting with his mother, once upon a time, but after throwing up in a middle school production he decided to never again try and take on the task. Better to leave it to talented professionals.

Designed to have been born and, for some time, raised in Gyeonggi, South Korea. He has memories instilled of a car accident on a bridge that killed both of his parents and left him with two broken legs, which made orphanage living difficult. This helped instill how kind and generous his parents are designed to seem.

Franz Kline, Clyfford Still, Marlene Dumas, Elly Smallwood, Emilio Villalb, Serge Poliakoff, Ferruccio Bortoluzzi, Jenny Saville, Cy Twombly, Winston Chmielinski and Laurent Jiménez-Balaguer are his favorite artists. He enjoys Jean Colombe for himself, however, and his favorite piece is Picasso's Guernica.

Some of his favorite musicians include: Madeon, 3lau, Fousheé, Monaldin, Midas the Jagaban, Indila and Stromae.

Although Matthieu is rather tall, Xvastari is naturally, as all Eipiânari are, rather short. Because Eipiânari are rather transitional beings, they maintain compact forms that elongated or increase in size and mass at will rather than evolving into taller figures. As more of Xvastari awakens, the body will revert to this true height.

Though Matthieu's history very rarely includes Paris proper, his studying there has made his accent far more Parisian than anything else, with his English accent being heavily influenced as such.